The Radavist

Forever tinkering with his bikes, John recently wrapped up a complete restoration of the 1983 Ritchey Everest that we looked at last year. Remember? The gray one? The bike appeared to have been subjected to a sloppy respray at some point in the early 2000s, and John wanted to restore the bike to its formal glory. 

He pinged Rick at D&D, the guy who has painted more Ritchey frames than perhaps anyone, to respray the Everest in Imron Bright Gold paint with the uber-rare Palo Alto Ritchey decals to finish the look. The Everest also had a “touring package” added when Tom built the frame in 1983. Since John acquired it, the Everest has always felt a bit naked without the proper racks…

We know John’s posted a lot of vintage projects over the past few years, but this might be the best yet! Let’s check it out below…

While earning, or enduring, her Ph.D in Environmental Life Sciences, Courtney Currier began spending more time on the bike as a way to further connect to the places she was studying, and as a way to just spend time outside during the very inside days of the pandemic. In a very real sense, her time on the bike was inspiring and she began making art again. Building up and custom painting a unicorn fixed gear commuter brought everything full circle! Below, as she plans for what comes next in life post-Ph.D, Courtney reflects on bikes and joy, along with Tobias Feltus’ overview of the build process.

Miguel Indurain was the king of the Tour de France in the ’90s, winning five times consecutively. He was one of my teenage cycling idols, and coincidentally he and I share almost the same bike measurements; however, the similarities end there! I always thought it would be a fun project to build an everyday rider that was an Indurain Pinarello Banesto replica. Here’s how I got my “Big Mig” bike up and running.

The 80’s and 90’s were a wild time for track bikes as design teams competed for gains through technological innovation. Cinelli was right there in the melee shaving power loss through aerodynamic design in partnership with Columbus tubing. The resulting Cinelli Laser changed bicycle design forever, winning more track world championships and Olympic gold medals than any other bicycle in the history of the sport. Andrea Pesenti’s hand-hammered steel gussets curved elegantly between tube junctions producing a fluid, edgeless art that slid through the air and whose DNA can be seen in all of today’s curvy carbon racing machines. Antonio Colombo brought vision and fidelity to art in design. Paolo Erzegovesi brought revolutionary engineering through liberation from lugs telling him where tubing should intersect and at what angle. These customizations nudged riders over the finish line first and set off raging bike crushes on Lasers that some of us never recovered from.